Saturday, February 28, 2009
A Link A Day # 74: Little Blue Pill
Agency: Z. Producer: Catatonia. Verdict: Not so fresh. But still works.
Wednesday, February 25, 2009
A Link A Day # 73: Born to be cheap
A Link A Day # 72: Sony Bravia Zoetrope
Agency: Fallon.
Tuesday, February 24, 2009
A Link A Day # 71: James Boags Pure Waters
Nice spot and nice voice, ain't it? Agency: Publicis Mojo, Sydney.
Monday, February 23, 2009
smartart.in - A great place for poster prints
Posted by Murali.
Oscar Winners: 8 for Slumdog
BEST MOTION PICTURE OF THE YEAR
Winner: Slumdog Millionaire (2008) - Christian Colson
BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE
Winner: Sean Penn for Milk (2008/I)
BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE
Winner: Kate Winslet for The Reader (2008)
BEST ACHIEVEMENT IN DIRECTING
Winner: Danny Boyle for Slumdog Millionaire (2008)
BEST FOREIGN LANGUAGE FILM OF THE YEAR
Winner: Okuribito (2008)(Japan)
BEST ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES, ORIGINAL SONG
Winner: Slumdog Millionaire (2008) - A.R. Rahman, Sampooran Singh Gulzar("Jai Ho")
BEST ACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES, ORIGINAL SCORE
Winner: Slumdog Millionaire (2008) - A.R. Rahman
BEST ACHIEVEMENT IN EDITING
Winner: Slumdog Millionaire (2008) - Chris Dickens
BEST ACHIEVEMENT IN SOUND
Winner: Slumdog Millionaire (2008) - Ian Tapp, Richard Pryke, Resul Pookutty
BEST ACHIEVEMENT IN SOUND EDITING
Winner: The Dark Knight (2008) - Richard King
BEST ACHIEVEMENT IN VISUAL EFFECTS
Winner: The Curious Case of Benjamin Button (2008) - Eric Barba, Steve Preeg, Burt Dalton, Craig Barron
BEST DOCUMENTARY, SHORT SUBJECTS
Winner: Smile Pinki (2008) - Megan Mylan
BEST DOCUMENTARY, FEATURES
Winner: Man on Wire (2008) - James Marsh, Simon Chinn
BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE
Winner: Heath Ledger for The Dark Knight (2008)
BEST SHORT FILM, LIVE ACTION
Winner: Spielzeugland (2007) - Jochen Alexander Freydank
BEST ACHIEVEMENT IN CINEMATOGRAPHY
Winner: Slumdog Millionaire (2008) - Anthony Dod Mantle
BEST ACHIEVEMENT IN MAKEUP
Winner: The Curious Case of Benjamin Button (2008) - Greg Cannom
BEST ACHIEVEMENT IN COSTUME DESIGN
Winner: The Duchess (2008) - Michael O'Connor
BEST ACHIEVEMENT IN ART DIRECTION
Winner: The Curious Case of Benjamin Button (2008) - Donald Graham Burt, Victor J. Zolfo
BEST SHORT FILM, ANIMATED
Winner: Maison en petits cubes, La (2008) - Kunio Katô
BEST ANIMATED FEATURE FILM OF THE YEAR
Winner: WALL·E (2008) - Andrew Stanton
BEST WRITING, SCREENPLAY BASED ON MATERIAL PREVIOUSLY PRODUCED OR PUBLISHED
Winner: Slumdog Millionaire (2008) - Simon Beaufoy
BEST WRITING, SCREENPLAY WRITTEN DIRECTLY FOR THE SCREEN
Winner: Milk (2008/I) - Dustin Lance Black
BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE
Winner: Penélope Cruz for Vicky Cristina Barcelona (2008)
A Link A Day # 70: OlderVersion.com
Sunday, February 22, 2009
A Link A Day # 69: Quick Photoshop Tricks
Saturday, February 21, 2009
Laid-off copywriter helps you get a job
Posted by Murali.
A Link A Day # 68: Johnnie Walker Crossroads
Agency: BBH, London. Production: Academy, London. Director: Walter Stern.
Posted by Anantha.
Friday, February 20, 2009
Thursday, February 19, 2009
A Link A Day # 67: No Criminals in Politics
Posted by Anantha.
A Link A Day # 66: Fresh Proposition
Posted by Anantha.
A Link A Day # 65: 50 Dollar Logo Experiment
Posted by Anantha.
Wednesday, February 18, 2009
When Dylan lent his song for an ad
Posted by Anantha.
Pitch Lingo
Pitch-ai (original tamil meaning: alms): What clients dole out as retainer after calling for a multi-agency, multi-city pitch.
Pitchu-mani (tamil name): refers to the stalwart of all pitches. Usually the studio guy who pastes all the layouts
Pitchandi (beggar-mendicant): what agencies are reduced to after spending on every pitch in the city
Pitchu-pudungal (nuisance) – the nagging that happens pre and post pitch
Pitchaikaaran (beggar) – the man turned on by pitches, the idea of pitching, the idea of taking 10 concepts to a meeting. English equivalent – son of a pitch!
Pitchitay (tearing something) – super pitch, the client declared you the winner in the meeting itself.
Pitch report – frantic calling of all ex-colleagues; acquaintances and media guys to find out who else is pitching, when and whether or not Piyush is flying down!
Pitchuko (tear your hair out) – what client and account planning expects of creative, once the brief is handed over
More contributions awaited!
Posted by Niru.
The Reader Reads Beautifully
Posted by Niru.
When to quit.
When the only thing you watch at work is the clock.
When your pride asks you for a golden handshake.
When you begin sleeping with the mistresses of doubt.
When you enjoy going for a swim in a pool named self-pity.
When your fellow earthlings make you feel like an Extra Terrestrial.
When the dismal present clouds the brilliance of your glorious past.
When you want to look taller than the man in the mirror.
When your tired soul craves for a new body.
When you have one last thing to prove.
Posted by Anantha.
Tuesday, February 17, 2009
A Link A Day # 63: VW Cross Polo Log
Agency: DDB Berlin. Made by Hot Dog. Directed by Nicholas Barker.
Posted by Anantha.
A Link A Day # 61: Vintage Ad Illustrations
Posted by Anantha.
Monday, February 16, 2009
The Ancient Mariners steal the thunder at Palace Grounds
"Day after day, day after day,
we stuck nor breath nor motion
as idle as a painted ship upon a painted ocean
Water, water everywhere and
all the boards did shrink
Water, water everywhere nor any drop to drink."
- The Rime of the Ancient Mariner by Samuel Taylor Coleridge
The Metal Gods, Iron Maiden, truly resembled the Albatross from Coleridge’s ballad. As Bruce Dickinson clenched his fist and sang the first few lines of the epic ‘The Rime of the Ancient Mariner’, we knew we were witnessing history, not oft repeated. Because it’s not often does one get to see them performing the 13-minute classic.
‘Scream for me Bangalore’ yelled Dickinson. And the crowd not only yelled, but sang along all their biggest hits. At 7.50 pm, once the dust had settled from the other acts that performed, impatience reared its curious head. Within seconds, from the dark recesses of the stage, the initial chords of ‘Aces High’ burst forth. In came the band in manic fury unleashing one hit after the other.
Though it took at least 3 songs to get the sound mix right, the audience were witnessing theater of the highest order. Especially when Steve Harris plucked the thumping bass lines of ‘The Trooper’. With the Union Jack held high, Dickinson was at his mercurial best. Supported by the wizardry of Adrian Smith, Dave Murray, Janick Gers and Nicko McBrain. Not to mention the incredibly talented Bass behemoth and writer Steve Harris himself.
Back-to-back performances of ‘Fear of the Dark’ and ‘Hallowed be thy name’ got the crowd into a frenzy. And they wanted more of it. Maiden gave it to them with incredible passion. ‘Run to the Hills’, ‘Two minutes to Midnight’, and ‘Powerslave’ followed.
Suddenly, at 9.35 pm, they said goodbye and went in. The lights followed suit and got turned off. The crowd though, got turned on. As the chant ‘Maiden, Maiden’ hit a crescendo. Within minutes they were back for the encore. Belting out the all-time favourite ‘Number of the Beast’ which was followed by a slightly longer version of ‘The evil that men do’.
At 9.55 pm they bade the crowd goodbye. Some lucky ones in the front got hold of Nicko’s drum skins and sticks which he threw. Few others got the plectrums of the guitarist.
But what all of us certainly got was a shot of adrenalin, mesmerism and magic from the masters of metal. Thank you guys!
Posted by Murali.
Sunday, February 15, 2009
Garma Garam Gossip Edition # 5
* The DVD player who shares a name with Kipling's newspaper is gonna stop making Flat TVs.
* No payhikes and bonuses in the LB agency.
* A timeshare major in Chennai held its pitch on Friday. JWT, Lowe & Ogilvy participated.
Posted by Loose Tongue.
While you were sleeping, Europe went to the shrink.
Posted by Anantha.
Saturday, February 14, 2009
A Link A Day # 59: Good Ambient Idea
Friday, February 13, 2009
A Link A Day # 58: Good Slogans & Bad Slogans
Posted by Anantha.
Traffic King
Digression aside. Bombay has shorter days simply because a major portion of the day is spent commuting. And when you are commuting, you are effectively doing nothing. Unless you count wondering if the cabbie gets hungry when he’s stuck like this everyday, wondering what is for dinner, wondering how that beggar managed to grow a boil that big. And other such fantastic deep things.
And lately I’ve heard Bangalore is no different. Not only are auto kaarans famously snobbish. They’re also immune to such beautifully directed insults as “ass****!!! Take me HOME!!!!!!”
Which is why Chennai, is so much nicer. (At least when wrapped in gauzy nostalgia.) Auto fares are negotiable; the smell of Murugan Idli Kadai drifts through the balmy summer air and at the end of the ride, a ten-rupee ticket movie in Satyam awaits you. Your countenance is even more cheerful when you think about the freedom from wardens and other monsters. But gauzy nostalgia usually means you're sitting on a memory bang out of college, and when realization dawns, the gauze gets all poky and uncomfortable.
And you suddenly remember that it was in Chennai that a serial killer once posed as an auto driver.
And since all these writings must have a purpose, mine was to ask all and sundry, which is your favourite big city to commute to work?
Posted by Meera.
A Link A Day # 55: Air France's New Logo
Wednesday, February 11, 2009
Seeing Stars…
Rich boy meets girl, grows up with girl. Goes abroad, returns and then plans to marry his child hood sweetheart (girl in question). But somehow boy loses girl and his mind as a result. Becoming a total loser in the bargain and pathetically pining after her while drowning himself in drink. Then boy finds rebound mujre-wali and loses her too. Then (while you wish that you had a stiff drink in hand to handle all this rona-dhona) as the music swells dramatically, boy dies. Everyone’s sad. Tragedy hi tragedy. And there you have it, Devdas in a nutshell.
Devdas is normally filled with the Hindi equivalent of Shakespearian language and dialogues that people reiterate when they’ve become too senti, after having one too many pegs. You know, one of those artsy-fartsy kinda films where people comment on how beautiful the set was, how exquisite the costumes were, how many millions went into the movie, or how they liked the Dilip Kumar ka Devdas better. In short something you watch, because your parents dragged you to the cinema hall.
This is how the recent remake of this story ought to be, right? Wrong! Looks like this time’s a charm, (what ever time it is) cause I think we have a winner. Completely rewritten to suit today’s times and adaa. This Devdas breaks away from the beaten, drunken path. And this refreshing change is one that will stand and the shake the foundations of Hindi cinema. First off, this is DEV.D we’re talking about not DEVDAS. He’s like a cocktail, a fine blend of charming and brash, outspoken and sullen, flawed and self-righteous, depressed and funny. One that goes down smoothly, character-wise and very interesting to watch.
The Dev in this movie dosen't hail from
After all that talk of having an opinion in my last post, just thought that I'd regale / torment you with one of my own. I have one last thing to say, namely - watch it.
Posted by Shane
Tuesday, February 10, 2009
A Link A Day # 54: It couldn't be done
Posted by Anantha.
The Disputable Dev.D
The thing I like about DEV.D the most, is that it has dethroned the critics from their pristine marble thrones, who much like ancient roman emperors decide the fate of movies by giving them the 'thumbs up' and letting them live, or giving them the 'thumbs down' and condemning them to the place where all showreels go to die. I however, to a certain extent despise critics, mostly because they influence your mind and feed you with opinions much before you've experienced the bit of reel life in question, yourself. I have a mind of my own and don’t need anyone to tell me what I should think or feel about a movie. I'd rather watch a movie first and then read the review.
But more than the critics, the ones who I truly loathe are the hordes of countless, mindless minions, who surrender themselves wholeheartedly to these critics. Like lions in the zoo that have slipped into impotency, who have now accustomed themselves to quenching their cinematic appetite and satisfying themselves with the allotted bit of opinion-meat, that's freely flung into their confining cages. Conveniently forgetting that they are fu#$@ng hunters, on top of the food chain.
I sometimes wonder if the minions miss the thrill of the hunt. Of grabbing hold of a cinematic experience in their jaws and digesting it for themselves. I believe they are amply content with being fed the chewed up worms that 'mother critic' meticulously and religiously spits into their mouths. Which they spit back in return, garnished with some exquisite thesaurausy words, and a smirk that says 'I’m the greatest thing since sliced bread', when asked for their take on the movie matter.
It's true. Dev.D has dethroned the pagan critic gods from their pretentious pedestals. And in forcing them to forfeit their thrones, has cornered them into raising up their white flags and telling people that 'Ok, this is what I feel about the movie, personally, as an individual, i.e. - I love it or hate it. There's no middle ground with a movie like this, and you should buy a ticket and decide for yourself, all right?'
Plunging them into a 'Critical quandary', Kashyap has created something that, i daresay, people would have to go out and form their own opinions about. There's no unanimous crital opinion. Everyone has their own rating system, and this is true not only for the critics, but also for the public. And for you, as an individual. Recognize it. With the naked emotion, unapologetic abandon, unabashed openness and stark individuality of the characters that's superbly captured on film, this movie definitely deserves a dekko. But don't just take my word for it. Check it out for yourself and tell me what you think.
Posted by Shane.
Monday, February 9, 2009
A Link A Day # 53: Creative Chairs
That's the Relegs Chair by Jennifer Heier. For more such creatuve furniture, check out Toxel.
Posted by Anantha.
Sunday, February 8, 2009
A Link A Day # 52: Wustenrot's Floating Spot
Agency: Jung Von Matt. Producer: Tony Petersen Film. Director: Emil Moller.
Posted by Anantha.
Saturday, February 7, 2009
Friday, February 6, 2009
A Link A Day # 50: Stop Motion Music Video
Song: Her Morning Elegance. Artist: Oren Lavie. Directors: Oren Lavie + Yuval Nathan + Meral Nathan. Shot with one camera. Video put together with 3250 still photographs. For more about the video and song, visit The Inspiration Room.
Posted by Anantha.
Thursday, February 5, 2009
A Link A Day # 49: Great Classical Music Composers
Posted by Anantha
Now Slumdog teaches you marketing
Curious? Here you go.
Posted by Murali.
Wednesday, February 4, 2009
A Link A Day # 48: Do Schools Kill Creativity?
Posted by Anantha.
Tuesday, February 3, 2009
Jazz aficionados and Metal heads..it's time to cheer!
On the 15th, it's metal mayhem at Palace Grounds, when Iron Maiden returns once again. For another scintillating performance, this time as part of their 'Somewhere back in time' world tour. So, all you folks who don't want to give these 2 superb acts a miss, head to Bangalore for a super cool musical weekend.
Posted by Murali.
Monday, February 2, 2009
A Link A Day # 47: Interview with Woody Allen
Posted by Anantha.
Superbowl: My Top 10 Picks
2. Coke "Heist"
3. Cars.com "David Abernathy"
4. Coke Zero "Mean Troy"
5. Hulu "Alec in Hulowood"
6. Pedigree "Crazy Pets"
7. Pepsi Max "I'm Good"
8. Taco Bell "Speed Date"
9. Budlight "Meeting"
10. Monster "Double Take"
What's yours?
Posted by Anantha.
It's curtains for Premier Bookstore
Posted by Murali.
Hot Spots: Superbowl 2009
A Link A Day # 46: Ten Years of Superbowl
Posted by Anantha.
Sunday, February 1, 2009
A Link A Day # 45: Isaac Newton Quotes
We build too many walls and not enough bridges.
I can calculate the motion of heavenly bodies but not the madness of people.
Tact is the art of making a point without making an enemy.
It is the weight, not numbers of experiments that is to be regarded.
For more such pearls, go here.