Showing posts with label Mera Opinion. Show all posts
Showing posts with label Mera Opinion. Show all posts

Thursday, February 11, 2010

Tribute to Mr. Mani Ayer

An era has passed. Another great advertising giant is no more with us. For those of you, who have heard of Mr. Mani Ayer, here's your chance to learn more of him. A Facebook page has been dedicated to him. Go there. Learn a bit about him. For one thing is certain, seldom would you get to see such advertising giants in today's time. Like someone said, they don't make 'em anymore.

Posted by Murali.

Tuesday, January 5, 2010

10 advertising wishes for Twenty 10

May slowdown become an obsolete word.


May clients see better value in their agencies and reward them better.


May agencies see clients as their brand partners and vice versa.


May advertising awards be shorn of tomfoolery.


May the award jury members practice what they preach.


May some honourable men stop making advertising into a song and dance tamasha.


May we progress beyond the 30-second spot and the 60-cc ad.


May we walk the talk when it comes to digital.


May we as an industry get back the sheen to attract brighter talent.


May advertising once again become the profession where you can have most fun with your clothes on.


Posted by Murali.

Wednesday, November 25, 2009

Good News - Mass Media Advertising Still Works!

I know there are a lot of people who go around sounding the death knell for mass media advertising. Digital is in, they say. Few among them are likely to have done a digital campaign on their own. Their opinion is often skimmed off reports compiled by others who just quote some others. It works for them because they get invited for seminars where they can continue the masquerade. If you see another digital media expert munching a microphone, I have a simple tip for you. Visit the website of his firm. Most often there isn’t one. Or if there is a URL, it is likely to be under construction. And in the rare event there is a website, it’s likely to be a web version of a brochure. What’s my point? There is a Digital revolution happening out there. A few pioneers are creating the trends. But the larger crowd of trend-watchers is killing it by prematurely exaggerating its prowess. The fact is, in a country like India, it’s just too early to expect too much from digital.

Meanwhile mass media advertising is still the most effective way ramp up the recall and reputation of a brand.

Else, why would one of the world’s largest brands, a digital one, spend tens of crores in mass media, on re-launching itself in India? Yes, I am referring to Yahoo! While the jury is still out on whether the campaign is working for Yahoo! I would have liked it if there was a more tangible product difference stitched into the effort.

Which is what Tata Docomo has done.

A few months ago nobody knew them. Today they are literally on the nation’s lips. With a real innovation called One Second Billing, and a creative idea that builds on this, they have achieved national fame in no time. This is mass media advertising at its best.

Of course, a great creative idea can also make an old product difference look new.

Quick replacement of lost credit cards is not necessarily a breakthrough claim for a bank. But ING Vysya’s new commercial makes it look like they just invented it. A man runs after a pickpocket who has just stolen his wallet. Not able to keep up the chase, he gives up, only to see a postman beside him with a replacement card. That’s ING Vysya’s speed of response! There are two other executions — one... for quick delivery of cheque books and another for quick transfer of funds. All of them make ING Vysya look like they are the most happening bank today even though every other bank probably offers the same service. Bravo! The screenplay, the casting, the editing, and the sound design are top notch. Ram, a young director at Nirvana Films in Bangalore, has directed the films. Now, Nirvana is one production house (run by Prakash Verma and Sneha Iype) that never ceases to amaze me.

From this wellspring of passion we have seen campaigns that have consistently caught the nation’s fancy. The Hutch “Pug” film is legendary. The Zoozoos are more popular than most celebrities in ads. Their newest film for Saint Juice took my breath away. Never have I seen this level of attention to detail in an Indian commercial. Scripted by Creativeland Asia, the film marks a refreshing change from the usual mom-kid routine. World-class time lapse cinematography and animation by The Mill in London makes this film a joy to watch each time. Music by Rupert (who did the Hutch song) is a masterpiece in minimalism. Then again, do you know what the best part of the commercial is? It makes you thirst for the stuff.

This is how great advertising works. It makes you want the product. And, done well, mass media advertising is still the best way to achieve that.

Extracted from an article by Thomas in Financial Express.

Sunday, November 22, 2009

An evening that tested the tenets of Jazz

Bangalore was lucky on the 20th of November, last Friday, to be precise. Lucky because some quiet giants of Jazz descended upon the city. This privilege was hitherto reserved only for Mumbai and Delhi, where Jazz Yatra and later Jazz Utsav have been a date to earmark every year in the music aficionado’s calendar for the last 25 years.

Wayne Krantz, Anthony Jackson, Cliff Almond and David Binney headlined the Jazz Utsav ’09 at the Ambedkar Auditorium. And what a show it was. The opening act was a thoroughly experimentative jazz rendition of the work of the Beatles. By drummer Brian Melvin’s band. He along with David Kikoski form the BeatleJazz band. As Kikoski wasn’t able to join the band for the Jazz Utsav '09, Jon Davis supported him on the piano and Peter Barshay on the bass. For the record, Melvin has an impressive pedigree. He has played with Bob Weir of the Grateful Dead, Greg Allman of The Allman Brothers Band and the bass legend Jaco Pastorius.

They started out on a soulful rendition of John Lennon’s Beautiful Boy and went on to play other tracks like A Hard Day’s Night (where local guitarist Amit Heri joined in), Strawberry Fields Forever, Let It Be and few other Beatles favourites. Before finishing up with a rousing rendition of Eleanor Rigby.

Then the stage was set for the masters to light up the stage. Wayne Krantz has performed with Steely Dan and Michael Brecker. Anthony Jackson invented the six string contrabass guitar. Cliff Almond has played with many a jazz great in the US and the unassuming David Binney is considered a great compositional talent and a virtuoso on the saxophone. Now, what do you get when you put them together? Highly experimentative, free flowing jazz that doesn’t fit into any norm.

To get a dekko into the mind of Wayne Krantz, here’s a snippet from an interview. “There are a lot of disagreements about the word, ‘jazz’. For some people, it’s a specified set of sounds. We push our boundaries a little bit. We improvise. And our sounds will not resemble with what people generally associate with jazz,” he noted. He added, “The word jazz is broad in a way it doesn’t mean anything now.

They enthralled the audience for an hour and a half. And probably disappointed some, who had come in thinking they’re going to spend an evening listening to smooth jazz. For a country like ours which is starved of such pure Jazz music, it was an evening that was unforgettable. While I doff my hat to the legends for their music, I’d also like to thank Amit Saigal of Rock Street Journal for making this show happen.

“Raise your horns to the heavens and blow them in tribute to the great God of music, who presides in splendour over the Jazz Yatra.”

Sonny Rollins, 25 years ago at the first Jazz Yatra in Delhi.

Posted by Murali.

Monday, November 2, 2009

And one by one they are leaving...

Manish Bhatt has entered politics.
Raghu Bhat is trying his hand at launching designer laptop bags.
Prasoon Joshi is now more of a lyricist than an ad person.
Balki is busy with his Amitabh movies.
Rensil D'Silva has turned scriptwriter.
Aggie & Paddy have started Taproot.
Manoj Jacob has floated 21.
Prahlad Nanjappa has fathered a new outfit named Fryed.
What is happening?
Why is everyone leaving?
Are our peers getting disillusioned with big agencies?
Isn't that a cause for worry?
Does anyone care?

Posted by Anantha.

Thursday, October 29, 2009

Experts – Really?

We are in the communication business. But how much do we communicate both internally in the agency and externally.

And I am not talking about ‘job status’ meetings, and ‘target & finance updates’; talking about real solid conversations that will help keep us the title of ‘advertising is the art of communication’. How much are we tuned into the new way of doing stuff? How well do we know social bookmarking; the difference between Delicious, Digg, and StumbleUpon?

Has anyone read or twittered ‘baked in’? What are the most efficient, cost effective OOH options coming up? Wake up guys, we the so called experts and know far less that a 19 year old. Any ideas on how to keep everyone abreast or one step ahead of the curve?

Posted by Monica.

Tuesday, October 27, 2009

Yawn, yawn, yawn

If you’ve put your money on the latest willow wielder, think hard. According to Open magazine’s cover article, all that cricket is now eliciting is big yawns. The Champions Trophy apparently drew a miserable all time low TRP of just 1.1%. The reason (OBVIOUSLY) is that there has been too much of cricket and cricketers. All over the place. So unless Dhoni and his boys are going to streak across the ground, they aren’t going to raise anything – no eyebrows, no brand sales. And by the way, football could well be the new cricket. Time to stick Bhaichung Bhutia on those concept layouts?

Posted by Niru.

Monday, September 21, 2009

The truth about scam

Scam ads have got more attention than they deserve. Thanks to the notorious WWF ad by DDB Brasil. Suddenly, every award show worth its salt has been taking a self-righteous stance by denouncing the practitioners of scam. While the One Show has ensured a 5-year ban on agencies entering scam, D&AD has quickly followed suit by saying it'll adopt a 'name and shame' policy. Read this to get an idea of what I'm talking about.

But my theory is simple. Scam has existed for decades now. Singapore was the sylvan sanctuary of scam advertising, way back in the 90s. The so-called great ads that we saw and revered in the books that came out of Singapore, were clearly scam. The guys who created and won those prestigious metals from there, have become famous. They now preside over juries and are board members at prestigious award clubs. How the hell can these worthy men talk of sham in scam, after they have done it and seen it all? Bit funny isn't it?

Posted by Murali.

Tuesday, September 1, 2009

A rather odd commercial

Cisco has tried something very adventurous. The forbidden fruit plot in an odd setting. Yes, it ties in with the 'Creation begins' tagline. Why did the Apple have to be there? Couldn't it have been something more surprising? Where they worried if the audience will get it? Did they underestimate the IQ of Joe the Programmer? Dunno. Anyways, I feel the guys who deserve appreciation for this ad are the servicing folks -for selling it!



Posted by Anantha.

Sunday, August 30, 2009

A Link A Day # 250: Rukkumaniye Chakkara Pennae & O Little Flower See Your Lover

Shashank Ghosh may not have lived up to the expectations he raised with his QGM trailers, but he certainly brought two gems from the past to national limelight. The Rukkumaniye song from Oli Vilakku and the O Little Flower song from Neela Vaanam. Both numbers were scored by MS Viswanathan. Neela Vaanam was composed in 1965. While Oli Vilakku, in 1968. Click on the Raaga.com links I've provided, enjoy the songs and then think: Doesn't Rukkumaniye sound very RD Burmanish? Doesn't O Little Flower seem OP Nayyarish? Did RDB ever listen to MSV? Did MSV ever listen to OPN? If so, then why isn't our generation celebrating true blue originals like MSV and OPN?

Sunday, August 16, 2009

The 'My Name is Cannes' Award

Ok. Assuming you are jobless and have all the time in the world to jog your memory, who, according to you, is the one Indian who can legitimately claim to have the maximum number of metals at Cannes? I am not talking of borrowed glory metals here (where the creative director's name appears without physically contributing to the piece). My gut feel is it's Kash Sree. It could even be Ali Shahbaz (now in Singapore) or Santosh Padhi. Kash Sree's website says, "1 Grand Prix, 3 Golds, 1 Silver, 3 Bronzes". So can we announce him as the winner of the 'My name is Cannes' award? Or do you have any juicy insider info to challenge this claim?

Posted by Anantha.

Friday, August 14, 2009

Has Vishal given credits to Cajetan Boy in Kaminey?

Kaminey is releasing today with most papers already calling it a cool flick with a neat story. According to knowledgeble sources, the story is said to be written originally by Kenyan Playwright and Short-Filmmaker Cajetan Boy.

Apparently, Vishal met Cajetan in a film workshop organized by Mira Nair. He was so enamoured with the story that he paid Cajetan a sum of Rs. 2 lacs (when converted to Indian rupees) and bought the rights to make it as a film.

So, 3 questions. Has Vishal Bharadwaj given Cajetan Boy the due credit? And how will Cajetan feel when he gets to know the movie budget was Rs. 44 crore, considering the piddly amount he was paid? Finally, why do writers always get the raw deal?

Posted by Murali.

Wednesday, July 29, 2009

Yasmin Ahmad (1958-2009) – She loved India.

My heart feels so heavy I can hardly express myself. Yasmin loved India. Ironically, it was Yasmin who got me to watch Satyajit Ray's work. She said Ray's picturisation (in Aparajito) of how Apu discovers his mother has passed away is a master-touch in the history of filmmaking. She knew the lyrics of Hindi songs better than most of us. She thought Rani Mukherjee is the most beautiful person on earth. In 2002, when she got to speak to the cream of the advertising industry at Cannes she did not waste the opportunity (like most other speakers did) by making an insipid presentation on what great advertising is. Instead, she shocked the audience by stating that the West has always treated the East with scorn and she demanded that they change their view. She stood up for Malaysia and the for rest of us on this side of the globe. Which is why she got a standing ovation from all.
To say that her work influenced me is a gross understatement. I copied her style unashamedly.
God bless you always Yasmin.

Posted by Thomas.

Friday, July 24, 2009

The impending collapse of the newspaper industry?

Ever since Ad Age put out a story on the staying power of the New York Times, I've been scanning the web for similar stories. First the biggest worrisome fact: NYT's advertising revenue has fallen by 30 odd percent fromm Y2K to now. I am guessing there are two reasons for this - a) The Internet and b) The shaky economy of America. The second can be sorted out but the first one spells trouble for most newspapers. Which is probably why Ann Arbour News (a 174-year old daily) shut down its print edition yesterday and switched to a digital version. Before you accuse me of reading too much into this stray event, go visit this site. The site has been meticulously keeping a timeline of newspaper edition shutdowns. Compare 2009 with 2008. You'll see a significant spike in the shutdowns. Well, what does that bode for India? I'd say, at the moment, there's no cause for alarm. On the face of it, more and more editions are springing up. Just the other day, Mint was launched in Chennai. But we shouldn't be misled by these events. If you dig deeper into the Presstalk blog, you'd notice debates on how newsapapers should be priced in India. Me feels, the churn has started. Newspapers are bleeding. Sooner or later we'll get to hear stories of the collapse of some dailies in India too. There will be one difference though. The Government of India might just bail out these guys by calling them 'Institutions'. Let's wait and see how this pans out.

Posted by Anantha.

Thursday, July 9, 2009

With 200mn users Facebook will be the 5th most populous country in the world

Yeah, I know Facebook can't be equated to a nation. But the sheer number of inhabitants and way they behave makes me thinks so. When was the last time a local law or a government diktat affected you so much that you took to the streets to protest / support it? I can safely assume not in the recent past.

But when Facebook redesigned it's site there were protests world over. The picture below has been shot in France when the youth opposed the new look.



Now, Facebook may not be a country of its own. But the folks who are part of this mass are more passionate about the place they live (coz' most of them are online most of the time) than their own motherland. And the number is increasing every single day. Stunning, isn't it?

Posted by Murali.

My first day at work

Walking out of college and into a workplace is a massive step! When I entered Orchard at 9.15 on Monday morning (early as usual for my first day!) I wasn’t sure what to look forward to. There were a whole lot of expectations about advertising, things I had heard plenty from cousins and uncles in the same field, and had thus chosen advertising as a career path- but still, walking into an office for the first time was a rather intimidating experience!

But the Orchard environment in itself is a lovely friendly place. I spent my first hour waiting for Thomas Xavier to arrive. During this time Lauren, who must have been aware of my awkwardness, took me around the office, starting at the bottom- introducing me to everyone-except everyone wasn’t there! Monday morning meeting I wondered, as I went back to the Thomas’ office where I immersed myself in his library of advertising books of all shapes and sizes. Once Thomas arrived, every ounce of discomfiture slipped away. He made me feel at ease, and talking to him reminded me of my first interview at Orchard, and why I had wanted, so desperately, to join the advertising business only at Orchard. He took me through a presentation that he had made the previous week in P to a batch of clueless MBA students, about a career in advertising- what it entailed, and what was required of them to be successful in the field, (a fantastic idea to do it at the beginning of the semester rather than the end as they normally do!) This presentation was directed to people with my mindset and wavelength exactly!! It talked about what went into a good ad, and Thomas is a great orator, so even though the audience he was addressing consisted of only one person (me!) he still kept the tone light but information heavy, and I'm fairly certain I learnt more in that one hour talk than in a whole year in college!

After he was through, Thomas sent me off with Ankur - the head of Client Servicing. Ankur from first glance was very chilled out and relaxed, with this jeans and bright blue T-Shirt and funky black all stars, he could easily have been a student at Joseph's or Christ who had bunked college and showed up at Orchard by mistake. Spending a couple of hours with him I discovered that first impressions are usually right - Ankur was fun, and relaxed, and had a way of speaking that immediately made his listener relax and drop their defenses. By afternoon I was talking to him easily, most of my apprehensions of my first day of work having dropped down already. Ankur first took me on the grand tour of Orchard - showing me the different floors, introducing me to people, and very importantly – where the restrooms were! Following this he took me up to his office and started on a presentation of Orchard credentials- taking me through the fascinating journey of Orchard's growth from a tiny offshoot of Leo Burnett into a nationwide agency of tremendous credibility.

He first explained the Orchard story to me, it's founding and growth, and then walked me thru each of Orchard's main ad campaigns, explaining the conception and development of every advertisement in great detail. What made me feel comfortable was that I was actually familiar with most of the advertisements! Especially the Manhattan credit card advert had been so popular amongst my classmates that constantly squeaking “Dinku” in that adorable baby voice had become a thing of regularity when I was in the 12th standard, just to annoy our teachers! And the Himalaya throat lozenge commercial had been a point of reference when a friend of mine tattooed his girlfriends name onto his forearm!

After watching all these ads, I realized with pride that Orchard was indeed an ad agency with a difference- and that I was very very lucky to have started my career in such an awesome agency.

After lunch, Ankur asked me to check my mail and stuff because he had some other work, but I found myself scrolling straight to the Orchard website to look at their other ads, which hadn’t made it to their credential presentation! I saw a vein of similarity- not in their concepts or ideas- but in the satire, wit, and tongue in cheek humor used in all their advertisements.

When ankur called me back, he finished the presentation completely, after which he gave me the option to knock off early, because it was my first day, or to use this opportunity to walk around and talk to people and introduce myself properly. I had no intention of leaving early-not on my first day ( what sort of impression would that create?? ) also- I really didn’t want to leave yet! So I regained a little of my awkwardness and walked up to all the busy, busy people and attempted to introduce myself. Most of the people on my floor had gone out for a meeting, so I spoke to Rekha, who I was supposed to shadow starting the next day. She was nice, and explained to me that shadowing her would be difficult and that I was better off just starting with some work- and just learn as I went along. I spoke to Jessy, who explained her role to me, as a link between client servicing and the studio. I went downstairs where I found Manju, an intern from Brown University, who was my age, with lots to say about everything. I relaxed a lot more meeting someone of my own age. I then met with the other copywriters and creatives and spent awhile talking to Shane, who by cracking jokes at my expense, made me feel much more relaxed and at home.

Thus ended my first day at Orchard . A landmark day I’ll remember for many years to come!

Posted by Aliya.

Thursday, July 2, 2009

Do Creative Directors need to be good presenters as well?

From the time I started in advertising, this question has been playing on my mind. There were many instances when average creative which was presented well made it to the next level, because the CD presented it beautifully. And a lot many times good creatives got shot down because another CD didn't have the right presentation skill to push it forward. Funny, isn't it?

Here's what Mark Wnek has to say about this issue.

Posted by Murali.

Monday, May 25, 2009

Fresh Stuff That'll Win # 2: Cheer Dark



An ad by Leo Burnett Toronto. Mesays gold.

Posted by Metal Spotter.

Thursday, May 14, 2009

Correct me if I'm wrong



While looking for old Indian ads, I happened to chance upon this one for Garden. A little research led me to believe that it was directed by Rajeev Menon with music by A R Rahman. Now, that was Rahman before his Roja days I presume.

Listen to the music and one part of it sounds similar to a song in Roja. Is this just in my mind, or is there a semblance? Let me know.


Posted by Murali.

Tuesday, May 5, 2009

Advertising ad campaigns

I've always believed an ad campaign should create a buzz on its own. You shouldn't create another campaign to advertise your campaign. But that's what seems to be happening in India. Some agencies do a PR blast on even the tiniest of their campaigns. If you've been reading Campaign India, Afaqs and Exchange4media, you'll know the usual suspects I am referring to. It's okay to brag about your campaign if it's created a ripple (Case - Vodafone Zoozoos). It makes business sense to plug a campaign if you've blown crores of rupees on making the commercial (Case - Sony Bravia). But for godsake, don't work the press to tom-tom ads no one took note of. Use facebook to share your work with potential judges at award shows. Use the blogs to see how your creation is faring. Don't milk your contacts in Afaqs, Campaign India or Brand Equity to explain your campaign. Because the more you plant stories, the more you're doing to lessen the credibility of these instititutions.

Posted by Anantha.